May 2013
6 posts
May 22nd
103 notes
“We should always remember that sensitiveness and emotion constitute the real...”
– Maurice Ravel (via heartinwinter)
May 19th
131 notes
imaginarydances: [White guy] has written music for [list of standard classical ensembles]. His music combines a contemporary classical style with [probably some alternative rock/pop style] and a love of [probably film or video game music or something]. His works have been performed at [festivals you haven’t heard of]. He has studied with [some older white guys] and is currently pursuing his...
May 16th
39 notes
“Art is the opposite of nature…a work of art can only come from the interior of a...”
– Edvard Munch, Letters (via kateymichelelikes)
May 13th
512 notes
May 11th
115 notes
“I haven’t understood a bar of music in my life, but I have felt it.”
– Igor Stravinsky (via ryandonato)
May 4th
636 notes
April 2013
8 posts
Apr 28th
196 notes
“I can see the sun, but even if I cannot see the sun, I know that it exists. And...”
– Fyodor Dostoyevsky, The Brothers Karamazov (via milktree)
Apr 28th
705 notes
“A creative artist works on his next composition because he is not satisfied with...”
– Dmitri Shostakovich (via mattgallaghermusic)
Apr 27th
11 notes
“There’s a way of playing safe, there’s a way of using tricks and there’s the way...”
– Dave Brubeck (via justleanna)
Apr 18th
32 notes
“Poetry may make us from time to time a little more aware of the deeper, unnamed...”
– T.S. Eliot (via oiseaur0uge)
Apr 8th
79 notes
Apr 7th
173 notes
“Brahms’s 51 Exercises for the pianist show how clearly he understood pianistic...”
– Brahms’s Pianos and the Performance of His Late Piano Works (via tylerkielb)
Apr 7th
13 notes
“Black males have helped create the blues, more than any other music, as a music...”
– bell hooks, from “Forever” in Black Cool (via sydlow)
Apr 7th
646 notes
March 2013
7 posts
“I compose everywhere, walking or driving, eating or drinking, at home or abroad,...”
– —Richard Strauss, on his method of composition (via homilius) Classical musicians and fans: do you follow homilius? I recommend it. -lt (via leadingtone)
Mar 28th
96 notes
Mar 25th
3 notes
Mar 18th
12 notes
“I disavow the so-called ‘avant-garde’ tendencies of contemporary music, because...”
– Lubomyr Melnyk (via imaginarydances)
Mar 12th
4 notes
Mar 9th
1,167 notes
Mar 2nd
77,838 notes
Mar 2nd
16 notes
February 2013
13 posts
Messiaen Plays Messiaen →
imaginarydances: The complete recordings of Messiaen performing his own works, free download from the International Historical Organ Recording Collection.  ”It’s very clear that Olivier Messiaen was grounded in the romantic performance style and perhaps his music should be approached in that way. Many post or contemporary organists of Messiaen tend to play his music only “as written” which...
Feb 28th
29 notes
“Let’s face it: Pianists are often told that the mere act of producing sound on a...”
– Terence Dawson: Collaborative Piano and the developing Musician (via sonateharder)
Feb 24th
169 notes
“Genius is the recovery of childhood at will.”
– Arthur Rimbaud (via leadingtone)
Feb 24th
116 notes
Paul Elie, Reinventing Bach →
James Suffern: Of Bach’s compositional process you say, “Invention would come to characterize his music, both as a habit of art and as a pattern of the art itself. His music develops in ways that dramatize the act of invention” (pg. 75). Is it precisely this quality of intentional invention that draws musicians to Bach throughout various eras? Is he an artist’s artist...
Feb 22nd
4 notes
“Whereas most other modern composers are engaged in manufacturing cocktails of...”
– Jean Sibelius on his Symphony No. 6 (via ameekgarden)
Feb 13th
14 notes
Feb 11th
479 notes
Feb 11th
254 notes
Feb 10th
21 notes
Feb 10th
11 notes
Feb 9th
137 notes
Pianist Daniil Trifonov: Disappearing Into Chopin →
February 6, 2013After winning two major competitions, the 21-year-old Russian is reaching for piano perfection. Hear him play Chopin etudes, colorful Fairy Tales by Nikolai Medtner and an explosive arrangement of music from Stravinsky’s Firebird at the WGBH studios in Boston.
Feb 7th
Feb 7th
150 notes
Feb 3rd
143 notes
January 2013
6 posts
Art-Piano:: Busoni: Learning to Listen →
art-piano: This is an extract from Francis Cooke’s ‘Great Pianists on Piano Playing’. The whole chapter ‘Important Details in Piano Study’ is written by Ferruccio Busoni (1866-1924) (see Busoni) THERE IS A DETAIL WHICH FEW STUDENTS OBSERVE WHICH IS OF SUCH VAST IMPORTANCE THAT ONE IS TEMPTED TO SAY THAT THE MAIN PART OF SUCCESSFUL MUSICAL PROGRESS DEPENDS UPON IT. THIS IS THE DETAIL OF LEARNING...
Jan 29th
17 notes
Jan 23rd
47 notes
Jan 7th
1,220 notes
Jan 6th
291 notes
Jan 4th
35 notes
Listenleadingtone: Poulenc Rapsodie nègre (1917) for...
Jan 2nd
41 notes
December 2012
5 posts
Dec 21st
20 notes
Dec 20th
194 notes
Dec 18th
560 notes
imaginarydances: My prof said that the Well Tempered Clavier Book 1 was for keyboardists and that Book 2 was for composers. Never thought about it like that.
Dec 10th
8 notes
“After a series of four sonatas — advancing chronologically throughout 1744 to...”
– I need to check out CPE Bach a bit more carefully. Calculated Instability: The Pioneering Sonatas Of C.P.E. Bach : Deceptive Cadence : NPR (via sonateharder)
Dec 3rd
7 notes
November 2012
8 posts
“Silences between movements are employed only to bring the opposing duo to the...”
–  Elliott Carter (via leadingtone)
Nov 27th
59 notes
“In the negro melodies of America I discover all that is needed for a great and...”
– Antonin Dvorak (via composerquotes)
Nov 26th
14 notes
Music Theory for Musicians and Nonmusicians →
Nov 26th
19 notes
Nov 26th
1,842 notes
“It always saddens me to think that after all I am not yet a proper musician; but...”
–  Brahms (via leadingtone)
Nov 23rd
148 notes